Sara Bichão vive e trabalha em Lisboa. Completou a licenciatura e o mestrado em Pintura na Faculdade das Belas Artes de Lisboa (2008, 2011). Integrou várias residências artísticas, PIRA ADM (2016, MX), Artistes en Résidence (2017, FR), Centro de Artes Arquipélago (2018, PT),  Musée d’art Contemporain de Lyon, France (2019), Centre d’art Contemporain Passages, Troyes, France (2019), Cité Internationale des Arts, Paris, France (2019), No Entulho / Artworks, Póvoa do Varzim, Portugal (2019), Porta 33, Madeira Island, Portugal (2019), Residency Unlimited, New York, USA (2022), Finisterrae, Ouessant Island, França (2022), CAC Passerelle, Brest, França(2022), Residency Unlimited (2012 e 2022).

Expõe desde 2009, destacando-se as exposições individuais mais recentes: Encontra-me, mato-te (2018), Fundação Calouste Gulbenkian, Lisboa; Coastal (2017), Barbara Davis Gallery, Houston; O meu sol chora, Fundação das Comunicações, Lisboa; Somebody’s Address (2016) e Open Gates (2014), Rooster Gallery, Nova Iorque; Recheio (2014), Carpe Diem Arte e Pesquisa, Lisboa (2014), My sun cries I, Galería silvestre, Madrid, Spain (2015), Adrift in Space, Melt in Pace, Barbara Davis Gallery, Houston, USA (2015), My sun cries II, Portuguese Foundation of Communications (exh. cat.), Lisbon, Portugal (2016), Coastal, Barbara Davis Gallery, Houston, USA (2017), Caderno 2016-2018, Gabinete, Lisbon, Portugal (2018), Find me, I kill you, Foundation Calouste Gulbenkian (exh. cat.), (curator: Leonor Nazaré) Lisbon, Portugal (2018), Fever, Taffimai (curator: Luiza Teixeira de Freitas), Lisbon, Portugal (2020), What is the thing, What is it, Filomena Soares Gallery, Lisbon, Portugal (2020),  X, Casa da Cerca, (curator: Filipa Oliveira), Almada, Portugal (2020),

Das coletivas: The physiologist, the traveller and time, Universidade de Aveiro, Portugal (2023), Na rua / OSSO, Centro de Artes das Caldas da Rainha, Portugal (2022), Revelry, Barbara Davis Gallery, Houston, EUA (2022), I Like you work, Can I poke your brain, Residency Unlimited, Nova Iorque, EUA (2022), Slow Gala, 68 Art Institute (curadoras: Masa Tomsic e Andrea Novoa), Copenhaga, Dinamarca (2022), Twin Islands, CAC Passerelle (curadores: Ann Stouvenel and Marcel Dinahet), Brest, França (2022), Twin Islands, Carpintarias, Lisboa, Portugal (2022), 4 Pés, Quinta do Pisão, Cascais, Portugal (2022), Tisanas, Fundação Eugénio de Almeida (curadora: Maria do Mar Fazenda), Évora, Portugal (2022) Traverser la nuit – collection Antoine de Galbert, MAAT (curador: Noelig Le Roux), Lisboa, Portugal (2022), Action “0”, BoCA Biennial,  (curators: Delfim Sardo and Sílvia Gomes), Lisbon/Almada, Portugal (2021), A Rooster Alone does not Weave the Dawn, Quinta do Quetzal, (curators: Luiza Teixeira de Freitas and Aveline de Bruin), Vidigueira, Portugal (2021), Clorophilia, with Manon Harrois, Porta 33, Funchal, Madeira, Portugal (2021), Festa. Fúria. Femina / Foundation Luso-American, MAAT (curators: Sandra Jurgens and António Ribeiro), Lisbon, Portugal (2020), Clorophilia, with Manon Harrois, Porta 33, Madeira Island, Portugal (2020), Mais nada se move em cima do papel, Center of Contemporary Art of Águeda (curator: Sara Antónia Matos), Portugal (2020), Arte S. Bento, Official Residency of the Prime Minister, (curators: João Silvério and Ana Anacleto) Lisbon, Portugal (2020),Presente Contínuo, Art Center Oliva (curator: Andreia Magalhães), S. João da Madeira, Portugal (2020), Storytelling, MAC Lyon (exh. cat.) (curator: Matthieu Lelièvre), France (2019), Un pyjama pour deux, with Manon Harrois, CAC Passages, Troyes, France (2019), Un pyjama pour deux, with Manon Harrois, performance at the Fondation Calouste Gulbenkian, Délégation en France, Paris, France (2019), A metade do Céu, Fondation Arpad Szenes – Vieira da Silva (curator: Pedro Cabrita Reis), Lisbon, Portugal Quando somos 2 somos três (2018, com Manon Harrois), Fundação das Comunicações, Lisboa; Geometria Sónica (2018), Centro de Artes Arquipélago, S. Miguel, Açores; Chama (2018), Atelier-museu Júlio Pomar, Lisboa; Extática Esfinge (2017), CIAJG, Guimarães; Curar e Reparar (2017), Bienal Anozero, Coimbra; O Que Eu Sou (2017), MAAT, Lisboa; Now, this is fucking too hot (2017, com Manon Harrois), Les Ateliers, Clermont-Ferrand; Puras Cosas Nuevas (2017), Pantalla Blanca, Cidade do México; }{ { } (2015, com Omar Barquet), Diagrama, Cidade do México; Eccentric Exercise II (2015), KCB, Belgrade; Soundless Harmonies (2014), Artopia Gallery, Milão; Eccentric Exercise I (2013), Les Gens Heureux, Copenhaga; Uma Coisa a Seguir à Outra (2013, com Miguel Ângelo Rocha), Quadrum Gallery, Lisboa; Extending the Line (2012), Arevalo Gallery, Miami.

As suas obras encontram-se em coleções tais como: CACE (Contemporary Art Collection of the State), Portugal, Luso-American Foundation, Lisbon, Portugal, Carmona e Costa Foundation, Lisbon, Portugal, PLMJ Foundation, Lisbon, Portugal, Calouste Gulbenkian Foundation, Lisbon, Portugal, EDP – MAAT Foundation, Lisbon, Portugal, Portuguese Foundation of Communications, Lisbon, Portugal, Council of Lisbon, Portugal, MidFirst Bank, Arizona, USA, Twins Design, Houston, USA, Companhia de Seguros Fidelidade Mundial,  Lisbon, Portugal, Telo de Morais, Coimbra, Portugal, António Cachola, Elvas, Portugal, Norlinda e José Lima, S. João da Madeira, Portugal, Figueiredo Ribeiro, Lisbon, Portugal, Benetton Foundation, Milan, Italy, CAC, Malaga, Spain, Foundation Antoine de Galbert, France.

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