RENÉE GREEN
Nasceu em Clevend, Ohio, E.U.A, 1959
Vive e trabalha em Nova Iorque e São Francisco E.U.A.
FORMAÇÃO | EDUCATION
1979-80
School of Visual Arts, Nova Iorque, E.U.A.
1981
Wesleyan University, Middletown, E.U.A.
1981
Radcliffe Publishing Procedures Course, Harvard University, Cambridge, E.U.A.
1982-84
Parsons School of Design, Nova Iorque, E.U.A.
1989-90
Whitney Independent Study Program, Nova Iorque, E.U.A.
EXPOSIÇÕES INDIVIDUAIS (selecção)
2011
Sigetics, Elizabeth Dee Gallery, Nova Iorque, E.U.A.
2010
Endless Dreams, Yerba Buena Center for the Arts, San Francisco, E.U.A.
2009
Musée Cantonal des Beaux-Arts, Lausanne, Suíça
2008
National Maritime Museum, Londres, Reino Unido
Le rêve de l'artiste et du spectateur: Renée Green, Jeu de Paume, Paris, França
2007
United Space of Conditioned Becoming (1), Participant Inc., Nova Iorque, E.U.A.
United Space of Conditioned Becoming (2), Galerie Christian Nagel, Berlim, Alemanha
2006
Wavelinks, Neuberger Museum of Art, Purchase, E.U.A.
Unité d'habitation, Galerie Martine Aboucaya, Paris, França
2005
Index (From Oblivion): Paradoxes and Climates, in Einstein Spaces, Berlim, Alemanha
Index (From Oblivion), Galleria Emi Fontana, Milão, Itália
Rela, Kunstraum Innsbruck, Innsbruck, Áustria
Sound Politics, Baltimore Museum of Art, Baltimore, with Mayo Thompson and Ultra-Red, E.U.A.
2004
Elsewhere? Here, Galeria Filomena Soares, Lisboa, Portugal
Wavelinks, Contemporary Arts Center, Cincinnati, E.U.A.
2002
Phases + Versions, Portikus, Frankfurt, Alemanha
2000
Shadows and Signals, Fundació Antoni Tàpies, Barcelona, Espanha
Other Planes of There, Pat Hearn Gallery, Novo Iorque, E.U.A.
Platform: Ongoing Conversations and Work, The Swiss Institute, Nova Iorque, E.U.A.
Returns: Tracing Lusitania, Centro Cultural de Belém, Lisboa, Portugal
1999
Between and Including, Vienna Secession, Viena, Áustria
Making History: Renée Green and Sam Durant, Bard College, Center for Curatorial Studies, E.U.A.
Project Wall, Rosamund Felsen Gallery, Los Angeles, E.U.A.
1998
Some Chance Operations, Emi Fontana Gallery, Milão, Itália
1997
The Digital Import/Export Funk Office, Kunstverein Kreis Gütersloh, Alemanha
1996
Certain Miscellanies, Stichting de Appel, Amsterdão, Holanda
Flow, FRI-ART Centre d'Art Contemporain Kunsthalle, Fribourg, Suíça
Partially Buried, Pat Hearn Gallery, Nova Iorque, E.U.A.
Übertragen/Transfer, Galerie Christian Nagel, Colónia, Alemanha
The Digital Import/Export Funk Office, Kunstraum, Universität Lüneburg, Alemanha
1995
miscellaneous, DAAD Gallery, Berlim, Alemanha
miscellaneous continued, Neuger/Riemschneider Gallery, Berlim, Alemanha
1994
Taste Venue, Pat Hearn Gallery, Nova iorque, E.U.A.
Quest, Emi Fontana Gallery, Milão, Itália
1993
World Tour, Museum of Contemporary Art, Los Angeles and Dallas Museum, E.U.A.
1992
Import/Export Funk Office, Galerie Christian Nagel, Colónia, Alemanha
1991
VistaVision: Landscape of Desire, Pat Hearn Gallery, Nova Iorque, E.U.A.
Bequest, Worcester Art Museum, Worcester, E.U.A.
1990
Anatomies of Escape, Institute of Contemporary Art, The Clocktower Gallery, Nova Iorque, E.U.A.
EXPOSIÇÕES COLECTIVAS, FESTIVAIS E CINEMA (selecção)
2008
Manifesta 7, The European Biennial of Contemporary Art, Fortezza, Itália
Cinema Remixed and Reloaded, Museum of Fine Art, Spelman College, Atlanta, E.U.A.
2007
La parola nell'arte. Ricerche d'avanguardia nel '900. Dal Futurismo ad oggi attraverso le Collezioni del Mart, Museo di
arte moderna e contemporanea di Trento e Rovereto, Itália
Not Only Possible, But Also Necessary: Optimism in the Age of War, 10th International Istanbul Biennial, Turquia
Cinema Cavern, P.S.1 Contemporary Art Center, Long Island City, Nova Iorque, E.U.A.
Unter dem Vesuv. Neapel im Film/Under Vesuvius: Naples in Film, Liechtenstein Museum,Viena, Áustria
Elsewhere?, Galleria Emi Fontana, Milão, Itália
Shooting Back, Thyssen-Bornemisza Art Contemporary, Viena, Áustria
2006
10 ans d'acquisitions de dons et de legs, 1996-2006, Musée cantonal des Beaux-Arts, Lausanne, Suíça
The Unhomely: Phantoms Scenes in Global Society, 2nd International Biennial of Contemporary Art of Seville, Sevilha, Espanha
2005
Artist's Books, Revisited, Art Metropol, Canadá; Printed Matter, Nova Iorque, E.U.A.
Double Consciousness: Black Conceptual Art Since 1970, Contemporary Arts Museum, Houston, E.U.A.
Transformer 1, Fluc im Exile, Viena, Áustria
2004
Renée Green: Wavelink, Arsenal, Berlim, Alemanha
Social Capital, Whitney Museum of American Art Independent Study Program Exhibition, Art Gallery of the CUNY Graduate Center, Nova Iorque, E.U.A.
I-Peg: Image. Sound. Machine, Künstlerhaus Bethanien, Berlim, Alemanha
Sound Forest Folly, Lustwarande 04: Disorientation by Beauty, Tilburg, Holanda
Mobilien/Movables, Galerie im Taxispalais, Innsbruck, Áustria
Born to Be a Star, Kunstlerhaus Viena, Áustria
On the Wall: Contemporary Wallpaper, Museum of Art, Rhode Island School of Design, Providence, E.U.A.
La fin du XVIIIe siècle et aujourd´hui, L´ancien Musée de peinture de Grenoble (organized by Magasin), Grenoble, França
2003
What Lies Between: The Autobiographical Impulse in Film and Video, UCLA Hammer Museum, Los Angeles, E.U.A.
Conceptualism in Musik, Kunst und Film, Akademie der Künste, Berlim, Alemanha
Strangers: The First ICP Triennial of Photography and Video, International Center of Photography, Nova Iorque, E.U.A.
Attack!: Kunst und Krieg in den Zeiten der Medien, Kunstahlle Wien, Viena, Áustria
Tuscia Electa, Arte Contemporanea nel Chianti, Turim, Itália
2002
Documenta XI, Kassel, Alemanha
Stories, Haus der Kunst, Munique, Alemanha
Global Complex, OK Centrum für Gegenwartkunst Oberösterreich, Linz, Áustria
Museum unserer Wünsche/Museum of our Wishes, Museum Ludwig, Colónia, Alemanha
Sonic Process, Museu d'art contemporani/MACBA, Barcelona; Centre Georges Pompidou, Paris, França
2001
Take Two, The Ottawa Art Gallery, Canadá
Ausgeträumt..., Vienna Secession, Viena, Áustria
Love Supreme, La Criée, Centre d'Art Contemporain, Rennes, França
Berlin Biennale, Kunstwerke, Berlim, Alemanha
Public Offerings, MOCA, Los Angeles, E.U.A.
Memorial Exhibition, Pat Hearn Gallery, Nova Iorque, E.U.A.
One Planet, Bronx Museum of Art, Nova Iorque, E.U.A.
2000
Voilà!: le monde dans la tete, Musée de la Ville de Paris, França
Das Gedächtnies der Kunst/History and Memory, Historisches Museum and Schirn Kunsthalle, Frankfurt, Alemanha
1999
Ruins in Reverse, CEPA Gallery, Buffalo, E.U.A.
The Comfort Zone, The Public Art Fund, Nova Iorque, E.U.A.
Graf, Green, Kogler, Schlegel, Schmalix, Williams, Museum of Contemporary Art, Brno, República Checa
Studio One, Clocktower Gallery, Nova Iorque, E.U.A.
The Stockholm Syndrome, CD-ROM, exposção escrita e desenhada por Måns Wrange, Igor Isaksson, Ilkka Isaksson, em parceria com Stockholm-Cultural Capital of Europe 1998, Suécia
Architecture of Resistance, International Center for Urban Ecology, Detroit, USA
Persuasion, Lombard/Freid Fine Arts, Nova Iorque, E.U.A.
Pat Hearn Gallery Summer Show, Nova Iorque, E.U.A.
Elsewhere 3, Glassbox, Paris, França
Harn Museum of Art, Gainesville, Florida, E.U.A.
Art-Worlds in Dialogue, Museum Ludwig, Colónia, Alemanha
1998
The Cultured Tourist, Leslie Tonkonow Artworks & Projects, Nova Iorque, E.U.A.
Anticipation, Version 4, Centre pour l'image contemporaine, Genebra, Suiça
Sharawadgi, Felsenvilla, Baden, Alemanha
All Over the Map, L.A. Freewaves 6th Celebration of Independent Video & New Media, Los Angeles, E.U.A.
44th International Short Film Festival, Oberhausen, Alemanha
The Style Engine, Pitti Immagine, Florença, Itália
Graf, Green, Kogler, Schlegel, Schmalix, Williams, Kunsthalle Krems, Krems, Áustria
Artist/Author: Contemporary Artist's Books, Museum of Contemporary Art, Chicago, E.U.A.
Performance Anxiety, La Jolla Museum, CA and Site Sante Fe, New Mexico, E.U.A.
Changing Spaces, The Power Plant, Toronto, Vancouver Art Gallery, Vancouver, Canadá
1997
Robert Flaherty Film Seminar, Ithaca, E.U.A.
Performance Anxiety, Museum of Contemporary Art, Chicago, E.U.A.
Letter & Event, Apex Art, C.P., Nova Iorque, E.U.A.
Critical Images: Conceptual Works from the 1960s to the present, Leslie Tonkonow Artworks & Projects, Nova Iorque, E.U.A.
Home Sweet Home: Einrichtungen/Interieurs, Deichtorhallen Hamburg, Alemanha
Changing Spaces: Projects from the Fabric Workshop and Museum, Philadelphia; City Gallery at Chastain, Atlanta, E.U.A.
Partially Buried (in Three Parts), Kwangju Biennale, Coreia
Tracing Lusitania: Excerpts from an Imagined Prototype, Johannesburg Biennale, África do Sul
Translocations, City University of New York, Nova Iorque, E.U.A.
Résonances, ANGI-Galerie ART'O, Paris, França
1996
Now/Here, Louisiana Museum of Art, Copenhaga, Dinamarca
Nach Weimar, Neues Museum, Weimar, Alemanha
Embedded Metaphor, 1996-1999, New York, John and Mable Ringling Museum, Sarasota, FL; Western Gallery, Bellingham; Bowdoin College Museum of Art, Brunswick; Virginia Beach Center for the Arts; Ezra and Cecile Zilkha Gallery, Middletown; Pittsburgh Center for the Arts, Pittsburgh; E.U.A.
A/Drift, Bard College, Nova Iorque, E.U.A.
Handmade Readymades, Bertha and Karl Leubsdorf Gallery, Hunter College, Nova Iorque, E.U.A.
1995
Mirage, Institute of Contemporary Art, Londres, Reino Unido
Architectures of Display, Architectural League of New York and Minetta Brook, Nova Iorque, E.U.A.
Das Ende der AvantGarde: Kunst als Dienstleistung, Kunsthalle der Hypo-Kulturstiftung, Munique, Alemanha
It's Not A Picture, Gallerie Emi Fontana, Milão, Itália
Video: l'immagine e l'ogetto. Artisti degli Stati Uniti/Video: The Image and the Object. Artist from the U.S., Museo Laboratorio de Arte Contemporanea, Roma, Itália
Wallpaper Works, Contemporary Arts Museum, Houston, E.U.A.
1994
Installation: Selections from the Permanent Collection, Museum of Contemporary Art, Los Angeles, E.U.A.
Don't Look Now, The Thread-Waxing Space, Nova Iorque, E.U.A.
Services, Universitat Lüneberg, Alemanha
Sogetto Sogetto, Castelo di Rivoli, Rivoli, Itália
The Seventh Museum, Stroom, The Hague, Holanda
The Ideal Place, HCAK, The Hague, Holanda
The Body as Measure, Davis Art Museum, Wellesley College, E.U.A.
Temporary Translations, Deichtorhallen, Hamburg, Alemanha
Cocido y crudo/The Cooked and the Raw, Museo Nacional Centro de Arte Reina Sofía, Madrid, Espanha
Sommerakademie München: eine freie Akademie auf Zeit, Kunstverein München, Munique, Alemanha
Kontext Kunst/Context Art, Neue Galerie am Landesmuseum Joanneum, Graz, Áustria
Mapping, American Fine Arts, Nova Iorque, E.U.A.
1993
Whitney Museum of American Art Biennial, Nova Iorque, E.U.A.
Venice Biennale, Aperto, Veneza, Itália
Project Unité, Firminy, França
Just What is it That Makes Today's Homes So Different, So Appealing?, Gallerie Jennifer Flay, Paris, França
Fontanelle: Kunst in (x) Zwischenfallen, Potsdam, Alemanha
On Taking a Normal Situation..., Museum van Hedendaagse Kunst, Antwerpen (MUHKA), Antuérpia, Bélgica
What Happened to the Institutional Critique?, American Fine Arts, Nova Iorque, E.U.A.
Peccato di Novita, Galerie Emi Fontana, Milão, Itália
Die Arena des Privaten, Kunstverein München, Munique, Alemanha
Theater of Refusal: Black Art and Mainstream Criticism, Fine Arts Gallery, University of California, Irvine, E.U.A.
1992
True Stories, Institute of Contemporary Art, Londres, Reino Unido
Dirty Data: Sammlung Schurmann 1992, Ludwig Forum for International Art, Aachen, Alemanha
Multiple Cultures, Convent of San Egidio, Roma, Itália
Inheritance, LACE, Los Angeles, E.U.A.
Wohnzimmer/Buro, Galerie Christian Nagel, Colónia, Alemanha
Mary Kelly, Renée Green, Herbert F. Johnson Museum of Art, Cornell University, Ithica, Nova Iorque, E.U.A.
Speak, Randolph Street Gallery, Chicago, E.U.A.
Huitiemes Ateliers Internationaux Pays de Loire, F.R.A.C., Clisson, França
Transgressions in the White Cube: Territorial Mappings, Suzanne Lemberg Usdan Gallery, Bennington College,
Bennington, Vermont, E.U.A.
Travel Documents, San Francisco Cameraworks, E.U.A.
Informationsdienst, Kubinski Galerie, Cologne, Alemanha
More Books as Art, Hecksher Museum, Huntington, E.U.A.
1991
Lost Illusions: Recent Landscape Art, Vancouver Art Gallery, Canadá
Arte joven en Nueva York, Sala Mendoza, Caracas, Venezuela
Natural History, Barbara Farber Gallery, Amsterdam, Holanda
New Generations: New York, Carnegie Mellon Art Gallery, Pittsberg, USA
SiteSeeing: Travel & Tourism in Contemporary Art, Whitney Museum of American Art, Nova Iorque, E.U.A.
Color Theory, Amelie A. Wallace Gallery, SUNY at Old Westbury, Nova Iorque, E.U.A.
1990
Out of Site, P.S.1 Museum/Institute of Contemporary Art, Long Island City, Nova Iorque, E.U.A.
The Construction of Knowledge, Diane Brown Gallery, New York, Nicole Klagsbrun Gallery, Nova Iorque, E.U.A.
Social Studies: 4 + 4 Young Americans, Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio, E.U.A.
Selections: Aljira & Artists Space, Artists Space, Nova Iorque, E.U.A.
Expense Account: Figuring the Damage, University of Rochester, Rochester, Nova Iorque, E.U.A.
1989
From the Studio: Artists in Residence,1988-1989, The Studio Museum in Harlem, Nova Iorque, E.U.A.
BIBLIOGRAFIA
Livros
Negociações na zona de contacto. Renée Green, Lisboa: Assirio & Alvim, 2003.
Between and Including. Vienna: Secession; Colónia: Dumont, 2001.
Shadows and Signals/Sombras y señales. Barcelona: Fundació Antoni Tàpies, 2000.
Certain Miscellanies: Some Documents. Amsterdam: De Apple Foundation; Berlim: DAAD, 1996.
The Digital Import/Export Funk Office. Lüneburg: Kunstraum, University of Lüneburg, 1996. [cdrom]
After the Ten Thousand Things/Na de tien duizend dingen. The Hague: Stroom, 1994.
Camino Road. Madrid: Museo Nacional Centro de Arte Reina Sofía; New York: Free Agent Media, 1994.
World Tour. Los Angeles: Museum of Contemporary Art, 1993.
Publicações
2007
\"Bonvenon! (Kurfustenstrasse 123 #13 Green, Berlin, 10787).\" October (New York), no. 119 (Winter 2007): vi-vii.
2006
\"Place.\" In: Sarai Reader 06. Turbulence. New Delhi: The Sarai Programme; CSDS, 2006.
\"Relay.\" In: The Sociological View. Innsbruck: Kunstraum Innsbruck, 2006.
\"Beyond.\" In: Institutional Critique and After. Zürich: JRP|Ringier Kunstverlag, 2006.
\"States of Exception.\" In: MFA Graduate Exhibition Catalogue 2006. San Francisco: San Francisco Art Institute, 2006.
\"Free Agent Media Celebrates Year 12.\" In: Lab Mag (New York), no. 1 (Color Lulu Version): 108-109. Adam
Pendleton's Magazine Project. It also appears in black and white in B/W Lulu Version.
\"Free Agent Media Celebrates Year 12 @ Memphis.\" In: Memphis (Vienna), no. 12 (December 2006): 32-33.
2005
\"Index (Aus dem Vergessen): Paradoxe und Klimata.\" In: Einstein Spaces. Yvonne Leonard, Berlin: Einstein Forum, 2005.
2004
\"Other Planes of There,\" Yard (Los Angeles), vol. 1, no. 1 (Fall 2004): 54-61.
\"No Guru, no Method, no Master: zur Methode und Zukunft der Lehre\" Texte zur Kunst (Cologne), no. 53 (March 2004):
140-143.
\"Kunstlerische Praxis als Dispositive: Katharina Schlieben und Sonke Gau im Gespäch mit Renée Green\" ITH: das
Magazine des Instituts fürTheorrie des Gestaltung und Kunst (Zurich), no. 31 (June 2004): 61-69.
2003
Negociações na zona de contacto. Renée Green, Lisboa: Assirio & Alvim,
2003. [Textos de Karïm Aïnouz, Diana Andringa, Judith Barry, James Clifford, Manthia Diawara, Diedrich Diedrichsen,
Renée Green, Miwon Kwon, Sowon Kwon, Simon Leung, Lynne Tillman and Joe Wood]
\"Introduction: 'Negotiations in the Contact Zone' Symposium.\" In: Negociações na zona de contacto. Renée Green, editor. Lisboa: Assirio & Alvim, 2003.
\"Conversation between Diana Andringa and Renée Green. Lisbon, September 1992, at RTP.\" In: Negociações na zona de contacto. Renée Green, editor. Lisboa: Assirio & Alvim, 2003.
2002
\"Obsolescence = Mutation Unrealized?,\" October (New York), no. 100 (Spring 2002): 76-77.
\"Slippages.\" In: Radiotemporaire. Grenoble: Magasin, 2002.
\"Survival: Ruminations on Archival Lacunae. Adaptations, Re-readings, and New Readings.Introduction to the Following
Accretive Process.\" In: Interarchive: Archival Practices and Sites in the Contemporary Art Field. Beatrice von Bismarck
et al., ed. Lüneburg: Kunstraum der Universität Lüneburg; Cologne: Walther König, 2002. [An edited excerpt is
published at: The Archive. Edited by Charles Merewether. London: Whitechapel Gallery; Cambridge, MA: MIT Press,
2006]
\"Introductory Notes of a Reader and 'A Contemporary Moment.\" In: From Work to Text: Dialogues on Practise and
Criticism in Contemporary Art. Jürgen Bock, ed. Lisboa: Centro Cultural de Belém, 2002.
\"Returns: Tracing Lusitatia. Questions from Elvan Zabunyan which Stimulated Responses from Renée Green.\" In: From
Work to Text: Dialogues on Practise and Criticism in Contemporary Art. Jürgen Bock, ed. Lisbon: Centro Cultural de
Belém, 2002.
\"Raum für Notizen: ein Tagebuch zur Documenta 11,\" Texte zur Kunst (Cologne), no. 47 (September 2002): 70-77
[French version: \"Notes sur la Documenta 11,\" Practiques (Rennes), no. 13 (Autumn 2002): 76-81.]
2001
Between and Including. Vienna: Secession; Cologne: Dumont, 2001.
\"Nachwort/Brief: [Situationist Text].\" In: Situationistinnen und andere... Berlin: b_books, 2001. Eng, Michael and Renée
Green. \"No Easy Places: At this Moment in Vienna...,\" Public Culture (Chicago), vol. 13, no. 1 (Winter 2001): 139-153
\"Un moment contemporain: penser les recontres artistiques,\" multitudes (Paris), no. 4 (March 2001): 65-73.
\"Some Conditions for Independent Study: The Whitney Program as a Thought Oasis or Weathered Bastion.\" In:
Education, Information, Entertaiment. Ute Meta Bauer, ed. Vienna: Selene; Institut für Gegenwartskunst, 2001.
2000
\"Scenes from a Group Show: Project Unité.\" In: Site-Specificity: The Ethnographic Turn. Alex Coles, ed. London: Black
Dog, 2000. (de-, dis-, ex-.; 4)
\"Marode moderne,\" Texte zur Kunst (Cologne), no. 39 (September 2000): 148-153 [German version of \"Notes on
Humanist and Ecological Republic and Lac Mantasoa: Florian Pumhösl, Vienna Secession.\"]
Shadows and Signals/Sombras y señales. Barcelona: Fundació Antoni Tàpies, 2000.
1999
\"Zwischen Zeiten und Orten,\" Springerin (Vienna), no. 1 (1999).
\"In is Out, Out is In, Get It?: Glamorama,\" Spex (Cologne), (1999). [book review]
1998
\"Compared to What?: Blues Legacies and Black Feminism by Angela Davis,\" Spex (Cologne), (November 1998).
\"Affection Afflictions: My Alien, My Self/More Reading at Work.\" In: Loving the Alien: Science Fiction, Diaspora and
Multikultur. Diedrich Diedrichsen, ed. Berlin: ID Archiv, 1998. [edited English version in Everything But The Burden. Greg
Tate, ed. New York: Broadway Books, 2003.]
\"Site-Specificity Unbound: Considering Participatory Mobility,\" Springerin (Vienna), (March-April 1998).
Artist/Author: Contemporary Artist's Books. Cornelia Lauf and Clive Philpot, eds.; book designed as artist's book by
Renée Green. New York: American Federation of the Arts, 1998.
\"Perplexed.\" In: Artist/Author: Contemporary Artist's Books. Cornelia Lauf and Clive Philpot, eds.; book designed as
artist's book by Renée Green. New York: American Federation of the Arts, 1998.
1997
\"Partially Buried,\" October (New York), no. 80 (Spring 1997): 39-56.
\"Partially Buried.\" In: Performance Anxiety CD, Chicago: Museum of Contemporary Art, 1997. [sound recording, cd
track]
\"Der Künstler als Ethnograph?,\" Texte zur Kunst (Cologne), no. 27 (September 1997): 152-161.
1996
\"Spike Lee's Mix: Calculated Risks and Assorted Reckonings,\" Spex (Cologne), 1996.
\"Beobachtungen einer Benutzerin,\" Texte zur Kunst (Cologne), no. 24 (September 1996): 152. [German version of
\"Notes from a User: L'informe\"]
Certain Miscellanies: Some Documents. Amsterdam: De Apple Foundation; Berlin: DAAD, 1996.
Flow [http://www.jca-online.com/flow.html] Web site made for White Room Productions, NYC and Fri-Art, Fribourg
The Fact of Blackness. Alan Read, ed. London: Institute of Contemporary Art; Seattle: Bay Press, 1996.
\"Collecting Well is the Best Revenge: Commemorative Toile Fabric, 1995.\" In: Stud. Joel Sanders, ed. Princeton:
Princeton Architectural Press, 1996. [augmented version published in Certain Miscellanies: Some Documents.
Amsterdam: De Apple Foundation; Berlin: DAAD, 1996.]
\"Import/Export Funk Office: Another Work in Progress.\" In: Games, Fights, Collaborations: Das Spiel von Grenze und
Überschreitung. Beatrice von Bismarck, Diethelm Stoller and Ulf Wuggenig, ed. Lüneburg: Kunstraum, University of
Lüneburg; Ostfildern: Cantz, 1996. [German version in the same book: \"Import/Export Funk Office: Noch ein
'Work-in-progress'\": 57-60.]
The Digital Import/Export Funk Office. Lüneburg: Kunstraum, University of Lüneburg, 1996. [cdrom]
1995
\"Questions of Feminism: 25 Responses,\" October (New York), no. 71 (Winter 1995).
Page Project, Blocnotes (Paris), no. 8 (Winter 1995): 26-27.
\"Dropping Science: Art and Technology Revisited,\" Flash Art (Milano), (November 1995). [German version: \"Dropping
Science: Art and Technology Revisited 2.01.\" In: Telenoia: Kritik der virtuellen Bilder. Elisabeth von Samsonow and Éric
Alliez, ed. Vienna: Turia + Kant, 1999.]
1994
\"On Site Specificity: A Discussion with Hal Foster, Renée Green, Mitchell Kane, Miwon Kwon, John Lindell, Helen
Molesworth,\" Documents (New York), no. 4-5 (1994).
\"Konversationen.\" In: Yo! Hermeneutics. Diedrich Diedrichsen, ed. Berlin: ID-Archiv, 1993. [conversation with Diedrich
Diedrichsen]
\"Eighteen Aphoristic Statements,\" Vor den Information (Vienna), no. 1-2 (1994): 2-4.
\"Collectors, Creators, Shoppers,\" Frieze, no. 18 (Fall 1994).
Page Project, Metropolis M (Amsterdam), (October 1994).
After the Ten Thousand Things/Na de tien duizend dingen. The Hague: Stroom, 1994.
Camino Road. Madrid: Museo Nacional Centro de Arte Reina Sofía; New York: Free Agent Media, 1994.
1993
World Tour. Los Angeles: Museum of Contemporary Art, 1993.
\"Inventory of Clues.\" In: On Taking a Normal Situation... Antwerp: Museum van Hedendaagse Kunst Antwerpen
(MUHKA), 1993.
\"The Beat Goes On,\" Vienna: Hochschule für angewandte Kunst, 1993. [lecture]
1992
Artist pages. In: Der offentliche Blick. Kasper König and Hans-Ulrich Obrist, eds. Munich:
Silke Schreiber, 1991: 201-208. (Jahresring; 38)
\"Open Letter No. 1: On Influence,\" Texte zur Kunst (Cologne), no. 7 (Fall 1992): 187-189.
\"Black Popular Culture?,\" Texte zur Kunst (Cologne), no. 5 (Winter 1992): 187-189. [English edition: \"Black Popular
Culture,\" Art and Text (Paddington), no. 42 (May 1992): 94-95.]
\"Sites of Criticism Symposium: Practices,\" ACME Journal (New York), vol. 1, no. 2 (1992): 37-67 Project, Frieze
(London), (1992).
1991
\"Democracy in Question,\" Transition (New York), no. 53 (1991): 163-167
\"Trading on the Margin,\" Transition (New York), no. 52 (1991): 124-132 [german version: \"Out There: Marginalization
and Contemporary Culture,\" Texte zur Kunst (Cologne), no. 3 (Summer 1991): 173-179; french version: \"Négocier la
marge,\" Practiques (Rennes), no. 13 (Autumn 2002): 82-90.]
\"Kalterschwieb/ Cold Sweat,\" Texte zur Kunst (Cologne), no. 4 (Fall 1991).
1990
\"I Won't Play Other to Your Same,\" Meaning (New York), no. 7 (May 1990): 15-16. Also published at Meaning: An
Anthology of Artists' Writings, Theory, and Criticism. Ed. by Susan Bee & Mira Schor. Durham: Duke Univeristy Press,
2000: 220-222 [German version: \"I Won't Play Other to Your Same,\" Texte zur Kunst (Cologne), no. 3 (Summer 1991):
76-79.]
\"What's Painting Got To Do With It?: Art in the Age of Post-Mechanical Production,\" Post-Boys and Girls: Nine Painters.
New York: Artists Space, 1990.
1981
No Title: The Collection of Sol LeWitt. John Paoletti, ed. Hartford, Connecticut: Wesleyan University /Wadsworth
Atheneum, 1981.
Imprensa
\"A Fashion Gallery,\" New York Times Magazine (New York), (September 18 1994).
Alberro, Alex. \"The Fragment and the Flow: Sampling the Work of Renée Green.\" In: Shadows and Signals/Sombras y
señales. Barcelona: Fundació Antoni Tàpies, 2000.
Allen, Jennifer. \"Renée Green: Galerie Christian Nagel,\" Artforum International (New York), vol. 45, no. 9 (May 2007):
384.
Alter, Nora. \"Akustische Dimensionen: Sound in Skulptur und Film.\" In: Die Bildende: die Zeitung der Akademie
(Vienna), no. 1 (November 2006): 14-18.
Alter, Nora. \"Beyond the Frame: Renée Green's Video Practice.\" In: Shadows and Signals/Sombras y señales.
Barcelona: Fundació Antoni Tàpies, 2000.
Apter, Emily. Continental Drift: From National Characters to Virtual Subjects. Chicago: University of Chicago Press,
1999. [cover designed by Renée Green]
Avgikos, Jan. \"Renée Green: Pat Hearn Gallery,\" Artforum international (New York), (Summer 1992).
Baker, George. \"Renée Green: Pat Hearn Gallery,\" Artforum international (New York), vol. 36, no. 6 (February 1997):
89-90.
Becker, Jochen. \"Renée Green: Between and Including,\" Kunstforum International (Mainz), no. 145 (May-June 1999).
Bell, Kirsty. \"Landschaften = Landscapes,\" In: Turbulenz. Portikus Projekte 2001-2004. Frankfurt: Portikus, 2004.
Berger, Doris. \"Doris Berger spricht mit Renée Green.\" In: Künstlerbücher/Artist's Books.
Gabriele Koller and Martin Zeiller, ed. Vienna: Universität für angewandte Kunst, 2001: 38-51.
Berger, Doris. \"Renée Green in der Wiener Secession,\" Kunstbulletin, (April 1999).
Bhabha, Homi. The Location of Culture. New York: Routledge, 1994.
Bishop, Kathy. \"Fanfare,\" Vanity Fair (New York), (June 1990).
Bock, Jürgen. \"The Beauty of Discourse, or How to Stand Pyramids on Their Heads: A Fictitious Conversation Between
Jürgen Bock and Joaquim Beck on the Renée Green exhibition Relay at the Kunstraum Innsbruck.\" In: The Sociological
View. Innsbruck: Kunstraum Innsbruck, 2006. [English and German version]
Brenson, Michael. \"Renée Green: Anatomies of Escape,\" The New York Times, (New York), (May 25 1990).
Brenson, Michael. \"Show at the Studio Museum of it's Artists in Residence,\" The New York Times, (New York),
(December 15 1989).
Brown, Elizabeth, Social Studies: 4 + 4 Young Americans. Oberlin, Oberlin College, Allen Memorial Art Museum, 1990.
(Art Museum Bulletin; vol. 44, no. 1)
[catalogue]
Bourland, Ian. \"Artforum Online Critics Picks,\" Artforum online,
http://www.artforum.com/archive/id=28047 May 2011.
Bruno, Giuliana. \"Anatomy of an Analysis: The Authorial Noir...\" In: Between and Including. Vienna: Secession; Cologne:
Dumont, 2001.
Buhr, Elke. \"Träume mit System,\" Frankfurter Rundschau (Frankfurt), (14 December 2002).
Butler, Cornelia. \"A Lurid Presence: Smithson's Legacy and Post-Studio Art,\" In: Robert Smithson. Los Angeles:
Museum of Contemporary Art, 2004.
Carr, Cynthia. \"Only Connect: Renée Green Sparks the New Global Conversation,\" Village Voice (New York), (January
16 2001).
Cameron, Dan. \"Critical Edge,\" Arts, (January 1992).
Casadio, Mariuccia. \"Giovani in transito,\" Casa Vogue (Paris), (September 1994).
\"Changing Spaces: Artists' Projects from the Fabric Workshop, Philadelphia,\" Toronto Life (Toronto), (August 1998).
Chen, Howie. \"Instrumental Spaces.\" In: Social Capital: Forms of Interaction. New York: Whitney Museum of American
Art, Independent Study Program Exhibition, 2004.
Conrad, Martin. Zitty (Berlin), (February 1995).
Corey, Molly. What Lies Between: The Autobiographical Impulse in Film and Video. Los Angeles: UCLA Hammer
Museum, 2003.
Cummings, Neil. \"Curating the Contemporary Art Museum,\" Art & Design (London), vol. 12, no. 1-2 (January-February
1997).
Cwelich, Lorraine, \"No Artist is an Island: Q + A With Renée Green,\" Art in America Online, May 4, 2011
D'Arcy, David. \"The Art Frontier,\" Vanity Fair (New York), no. 462 (Februrary 1999): 100-102.
Dailey, Meghan. \"Preview. Renée Green: Between and Including,\" Artforum international (New York), vol. 37, no. 5
(January 1999): 63.
Dalton, Elizabeth and Cynthia Smith. Expense/Account: Figuring the Damage. New York: Hartnett Gallery, University of
Rochester, 1990. [catalogue]
Decter, Joshua. \"Renée Green: Pat Hearn Gallery,\" Artforum international (New York), vol. 33, no. 1 (September 1994):
105-106.
Decter, Joshua. \"Renée Green: Remapping Narratives of History and Identity,\" Forum International (Antwerpen),
(January-February 1993).
Denson, Roger G. \"A Genealogy of Desire: Renée Green Explores the Continent of Power,\" Flash Art (Milan), no. 160
(October 1991): 125-127.
Diaz, Eva. \"Renée Green: Participant Inc.,\" Modern Painters (New York), (May 2007): 96.
Diedrichsen, Diedrich. \"Konversationen.\" In: Yo! Hermeneutics. Diedrich Diedrichsen, ed. Berlin: ID-Archiv, 1993.
[conversation with Diedrich Diedrichsen]
Diedrichsen, Diedrich. \"The Politics of Tourism: Renée Green, Bernward Vesper, Hubert Fichte,\"In: Tour-Isms: The
Defeat of Dissent. Critical itineraries. Barcelona: Fundació Antoni Tàpies, 2005.
Drissen, Chris. \"Sound Forest Folly.\" In: Lustwarande 04: Disorientation by Beauty. Tilburg: Fundament Foundation,
2004.
Eng, Michael. \"Exhange between Michael Eng and Renée Green.\" In: Between and Including. Vienna: Secession;
Cologne: Dumont, 2001: 177-199.
Eng, Michael and Renée Green. \"No Easy Places: At this Moment in Vienna...,\" Public Culture (Chicago), vol. 13, no. 1
(Winter 2001): 139-153.
Farrelly, Liz. \"When the Client is an Artist,\" Print (New Haven), vol. 52, no. 2 (March-April 1998).
\"Fast Forward,\" Canadian Art (Toronto), (Summer 1998): 16.
Foster, Hal. Return of the Real. Cambridge, Mass.: MIT Press, 1996.
Foster, Hal. \"Convulsive Identity,\" October (New York), no. 57 (Summer 1991): 18-54.
Fricke, Harold. Der Tagespigel (Berlin), (February 1995).
Das Gedächtnis der Kunst/History and Memory. Frankfurt: Historisches Museum and Schirn Kunsthalle, 2000. [book
cover]
Gill, Brendan. \"Manhattan's Arena for Aesthetic Melodrama,\" Architectural Digest (Los Angeles), no. 47 (November
1990).
Graw, Isabelle. \"Im Labyrinth der Alphabete,\" Die Tageszeitung (Berlin), (March 24 1999).
Graw, Isabelle. \"Enteignung aneignen: Renée Green.\" In: Die bessere Hälfte: Künstlerinnen der 20. und 21.
Jahrhunderts. Cologne: DuMont, 2003: 78-87.
Graw, Isabelle. \"Renée Green Kontrollräume,\" Artis (Bern), (February-March 1995).
Groos, Ulrike and Markus Müller. \"Interview mit Renée Green: New York, Oktober 1997.\" In:
Make it Funky: Crossover zwischen Musik, Pop, Avantgarde und Kunst. Cologne: Oktagon, 1998: 235-248. (Jahresring
45)
Harkavy, Donna. \"Renée Green.\" In: Bequest. Worcester: Worcester Art Museum, 1991. (Insights) [catalogue]
Hegenwisch, Katherina. After the Avant-Garde. Munich: Kunsthalle Hypo-Bank, 1995. [catalogue]
Hermes, Manfried. \"Renée Green: German Oustation of Funk,\" Flash Art (Milan), no. 166 (October 1992): 94.
Higa, Karin. SiteSeeing: Travel and Tourism in Contemporary Art. New York: Whitney Museum of Contemporary Art,
1991. [catalogue]
Höller, Christian. \"Wavelinks: Resonance Levels of 'Globalization'.\" In: Global Complex. OK Centrum für
Gegenwartkunst Oberösterreich, 2002.
Horst, Christoph. \"Crossover,\" Profil (Vienna), no. 9 (March 1999).
Jones, Lisa. \"Venus Envy,\" Village Voice (New York), (July 9 1991).
Kellerman, Kerstin. \"Flowerpower buried,\" an.schläge (Vienna), (April 1999).
Kempkes, Anke. \"Der Ärger mit dem Narzißmus von Künstlerinnen. Renée Greens \"She\" auf Exkursion,\" Texte zur
Kunst (Cologne), no. 28 (November 1997): 95.
King, Elaine. New Generations: New York. Pittsburgh: Carnegie Mellon Art Galllery, 1991. [catalogue]
Kontova, Helena. \"Robert Nickas: I've Always Preferred Artists to Works of Art,\" Flash Art (Milan), vol. 24, no. 155
(January-February 1991): 165, 176.
Krause-Wahl, Antje. \"Renée Green: Forscherin, (Ver)Mittlerin und Intellektuelle,\" in Konstruktionen von Identität: Renée
Green, Tracey Emin, Rirkrit Tiravanija. München: Silke Schreiber, 2006: 24-76.
Krumpl, Doris. \"Im Labyrinth der kollektiven Erinnerung: US-Künstlerin Renée Green in der Wiener Secession: Between
and Including,\" Der Standard (Vienna) (February 9 1999).
Lemmon, Danielle B. \"Moving Sight: The Artist as Beholder in the Art of Renée Green.\" In: Responses to Michael Fried's
Theories of Theatricality in the Visual Arts: From Modern to Postmodern Criticism. Ann Arbor: UMI Dissertation
Services, 1997: 163-203.
Leturque, Armelle. \"Renée Green, Decoding Cultures,\" Blocnotes (Paris), no. 12 (April-May 1996).
Leung, Simon. \"Contemporary Returns to contemporary art: Renée Green, Silvia Kolbowski and Stephen Prina,\" Art
Journal (New York), vol.60, no.2 (Summer 2001): 54-71.
Levin, Kim. \"Choices,\" Village Voice (New York), (April 5 1994).
Levin, Kim. \"Turning the Tables, and Choices,\" Village Voice (New York), (June 19 1990).
Lippard, Lucy. On the Beaten Track. New York: The New Press, 1999.
Masterworks for Learning: A College Collection Catalogue. Oberlin: Oberlin College, Allen Memorial Art Museum, 1998.
[cd-rom]
Matos, Sara. \"Negociações na zona da contacto,\" Pangloss (Lisbon), no. 3 (July 2003): 29.
McFadden, Sarah. \"Report from Cologne: Changing of the Guard,\" Art in America (New York), vol. 83, no. 2 (February
1995): 50-57.
Mercer, Kobena. Mirage. London: Institute of Contemporary Art; Institute of International Visual Arts, 1995. [catalogue]
Mercer, Kobena and Joshua Decter. Inheritance. Los Angeles: LACE, 1992. [catalogue]
Meyer, Christian and Mathias Poledna. Sharawadgi. Cologne: Walther König, 1999.
Meyer, James. \"Preview. Renée Green: Contemporary Arts Center,\" Artforum international (New York), vol. 42, no. 5
(January 2004): 60.
Meyer, James. \"Nomads,\" Parkett (Zurich), no. 49 (Summer 1997): 205-209. [german version in the same issue,
\"Nomaden\": 210-214.]
Meyer, James. \"Nostalgia and Memory: Legacies of the 1960s on Recent Work.\" In: Painting,
Object, Film, Object: Works from the Herbig Collection. New York: Christie's, 1998: 26-35.
Möntmann, Nina. \"Kultureller Raum Topographie der Kulturen: Renée Green 'Import/Export Funk Office,' 1992-1994.\" In:
Kunst als sozialer Raum: Andrea Fraser, Martha Rosler, Rikrit Tiravanija, Renée Green. Cologne: Walther König, 2002:
133-156.
Morgan, Margaret. \"From Dada to Mama: Feminism, the Ready-made and Contemporary Practice.\" In: Binocular. Ewen
McDonald and Juliana Engberg, eds. Sydney: Moët & Chandon, 1994.
Nathan, Jean. \"Art: Renée Green,\" Vibe (New York), (October 1994).
Nickas, Robert. Natural History. Amsterdam: Barbara Farber Gallery, 1991. [catalogue]
Nieswandt, Hans. \"Green ist die Hoffnung,\" Spex (Cologne), (August 1992).
\"Obrazy stvárnujúce vyznamy,\" Slovenská Republika (9 March 1999): 6
Obrist, Hans, Ulrich. \"The Installation is Coming Through the Back Door,\" Meta (Stuttgart), no. 1 (1992): 62-73.
Oleksijczuk, Denise. Lost Illusions: Recent Landscape Art. Vancouver Art Gallery, 1991. [catalogue]
Ottmann, Klaus. \"Renée Green, Pat Hearn, New York.\" C Magazine (Toronto), (February-May 2000). See also: Klaus
Ottmann. Thought Through My Eyes: Writings on Art, 1977-2005. Putman, CT: Spring, 2006: 274-275.
Perucic, Nadia. \"Navigating the Social Order: Alternative Currents in Relations of Power\". In: Social Capital: Forms of
Interaction. New York: Whitney Museum of American Art, Independent Study Program Exhibition, 2004.
Ploebst, Helmut. \"Sechs Tage Seinfeld,\" Wiener Journal (Vienna), (March 1999).
\"Preview. Exhibitions: Mirage,\" The Guardian: The Guide (London), (May 12 1995).
Prinzhorn, Martin. \"Dauerhaftes Provisorium,\" Texte zur Kunst (Cologne), no. 34 (June 1999): 193.
Puvogel, Renate. \"Frauen in New York: ein Blick Uber den Eigenen Tellerrand,\" Artis (Bern), (February 1993).
Ramirez, Yasmin. \"Renée Green at Pat Hearn,\" Art in America (New York), vol. 79, no. 10 (October 1991): 148-149.
\"Renée Green: Between and Including,\" Portfolio (January 1999).
Riemschneider, Burkhard and Uta Grosenick. Art at the Turn of the Millennium. Cologne: Taschen, 1999.
Ruins in Reverse: Time & Progress in Contemporary Art. Grant H. Kester, ed. Contributors: Susan Buck-Morss,
Eduardo Cadava, Peter Osborne. Web publication: [http://www.cepagallery.com/cepa.buffnet.net]
Rosenthal, Stephanie, ed. Stories. Munich: Haus der Kunst; Cologne: Dumont, 2002.
Schöllhammer, Georg. \"Spiel ohne Grenzen,\" Profil (Vienna), no. 8 (February 1999).
Schurmann, Wilhelm. Dirty Data. Aachen: Ludwig Forum for International Art, 1992. [catalogue]
Schwendener, Martha. \"Renée Green: United Space of Conditioned Becomin, Participant Inc.,\" The New York Times
(New York), (March 30 2007): B29.
Shohat, Ella. \"Post-Third Wordlist Culture,\" In: Taboo Memories, Diasporic Voices. Durham: Duke University Press,
2006: 290-329. [Text also published in: Feminist Genealogies, Colonial Legacies, Democratic Futures. ed. by M. Jacqui
Alexander and Chandra Mohanty. New York: Routledge, 1996: 183-209.]
Shohat, Ella and Robert Stam. Unthinking Eurocentrism: Multiculturalism and the Media. London: Routledge, 1994.
Singerman, Howard. \"In Theory & Practice: A History of the Whitney Independent Study Program,\" Artforum
international (New York), vol. 42, no. 6 (February 2004): 112-117, 170-171.
Smith, Roberta. \"Other Planes of There: Renée Green,\" The New York Times (New York), (March 31 2000).
Smith, Roberta. \"Renée Green: Pat Hearn Gallery,\" The New York Times, (New York), (May 1 1992).
Soares de Oliveira, Luísa. \"Interferências,\" Público. Mil folhas (Lisboa) (20 Novembro 2004): 15.
Sotriffer, Kristian. \"Bild, Text, Ton und Film im Shaker,\" Die Presse (Vienna), (17 February 1999).
Spiegl, Andreas. \"Renée Green: Secession, Vienna,\" Frieze (London), no. 47 (July-August 1999): 109.
Stroud, Marion Boulton. New Materials as New Media: The Fabric Workshop and Museum. Cambridge, Mass.: MIT
Press, 2002.
Tattenbaum, Judith. \"On the Wall: Wallpaper by Contemporary Artists.\" In: On the Wall: Contemporary Wallpaper.
Providence: Museum of Art, Rhode Island School of Design, 2004.
Tillmann, Lynne and Joe Wood. \"Renée Green in Conversation with Lynne Tillmann and Joe Wood.\" In: Between and
Including. Vienna: Secession; Cologne: Dumont, 2001.
Turbulenz. Portikus Projekte 2001-2004. Frankfurt: Portikus, 2004.
Urbach, Henry. \"Just Looking: Architectures of Display,\" Village Voice (New York), (June 6 1995).
Viewing, Pia. \"Renée Green, Rikrit Tiravanija,\" Blocnotes (Paris), no. 12 (April-May 1996).
Vogel, Sabine. \"Siebziger verweht,\" Frankfurter Allegemeine Zeitung (Frankfurt), (1999).
Volk, Gregory. \"Renée Green.\" In: Strangers: The First ICP Triennial of Photography and Video. New York: International
Center of Photography; Göttingen: Steidl, 2003.
Wailand, Markus. \"Stil ist kein Schicksal,\" Falter (Vienna), no. 7 (February 1999).
Wallace, Michele. \"High Mass,\" VLS Symposium, \"Are We There Yet\"? Village Voice Literary Supplement (New York),
(October 1991).
Wallis, Brian. \"Excavating the 1970s,\" Art in America (New York), vol. 85, no. 9 (September 1997): 96-99, 122.
Wettengl, Kurt. \"Poetische Räume,\" Frankfurter Allgemeine Zeitung (Frankfurt), (15 December 2002): R:4.
Wiensowski, Ingeborg. \"Renée Green,\" Kulturspiegel (Vienna), (February 1999).
Winkel, Camiel van and Mark Kremer. \"On Top of the World: Renée Green,\" Archis (Amsterdam), (March 1994).
Wilmes, Ulrich. \"Museum of Our Wishes.\" In: Museum unserer Wünsche/Museum of our Wishes. Cologne: Museum
Ludwig, 2002.
Wilmes, Ulrich, ed. \"Renée Green.\" In: Moderne Kunst: die Kunst des 20. Jahrhundert und der Gegenwart im Überblick.
Cologne: Museum Ludwig; DuMont, 2006.
Wood, Joe. \"It's a Trick.\" In: World Tour. Los Angeles: Museum of Contemporary Art, 1993: 8-14.
Zabunyan, Elvan. \"Renée Green: (des)orientations,\" Le journal du Centre national de la photographie (Paris), no. 14
(August 2001): 14.
Zabunyan, Elvan. \"Stratum and Resonance: Displacement in the Work of Renée Green.\" In: Art and the Performance of
Memory. Richard Cándida Smith, ed. London: Routledge, 2002: 85-100.
Zabunyan, Elvan. \"Archives et généalogie.\" In: Black is a Color: une histoire de l'art africainaméricain contemporain.
Paris: Dis Voir, 2004: 224-237] [english edition: Black is a Color: Paris: Dis Voir, 2005.]
Zahm, Olivier. \"Nantes und die Geschichte des Sklavenhandels,\" Texte zur Kunst (Cologne), no. 5 (Winter 1992):
184-186.
Zahm, Olivier. \"Mise en Scene.\" Huitiemes ateliers internationaux des Pays de la Loire. Clisson: F.R.A.C., 1992.
[catalogue]
\"Zwichen Zeiten und Orten,\" Springerin (Vienna), (January 1999).
Ziegler, Philipp. \"Renée Green, Secession, Wien,\" noëma (Salzburg), no. 51, (May-June 1999).
FILMES
VistaVision: Landscape of Desire. Pat Hearn Gallery, New York, 1991. [Films screened: Dal Polo all'equatore (Yervant Gianikian and Angela Ricci-Lucci, 1987); Apunti per una Oriestiade africana (Pier Paolo Passolini, 1970); La noire de... (Ousmane Sembéne, 1965); Song of Freedom (J. Elder Wills, starring Paul Robeson, 1936); films by Osa and Martin Johnson: Across the World with Mr. and Mrs. Johnson (1930); Congorilla (1932); Baboona (1935); I Married Adventure (1940), discussion by Linda Earle and Jewelle Gomez]
Tracing Lusitania: A Prototype. 1991-2001. [Film screened: Paixao Nacional (Karim Aïnouz, 1994)]
Flow. FRI-ART Centre d'Art Contemporain Kunsthalle, Fribourg, Switzerland, 1996. [Films screened: Der sechste Kontinent (Benno Maggi, 1992); Alpen-Internat (Hans Liechti, 1991); Füürland 2 (Clemens Klopfenstein and Remo Legnazzi, 1992); Last Supper (Robert Frank, 1992); I was on Mars (Dani Levy, 1991); Lumumba, la mort du prophète (Raoul Peck, 1992); Hors saison (Daniel Schmid, 1992); James Baldwin: The Price of the Ticket (Karen L. Thorsen, 1990)]
Some Chance Operations. Galleria Emi Fontana, Milan, 1998.
Between and Including. Filmhaus Spittelberggasse, Vienna, 1999. [Films screened: Shadows (John Cassavetes, 1959); Zorns Lemma (Hollis Frampton, 1970); Nostalgia (Hollis Frampton, 1971); Sink or Swim (Su Friedrich, 1990); James Baldwin: The Price of the Ticket (Karen L. Thorsen, 1990); Lumumba, la mort du prophète (Raoul Peck, 1992); Last Supper (Robert Frank, 1992); Der sechste Kontinent (Benno Maggi, 1992); E'Piccerella (Elvira Notari, 1922); Midnight Ramble (Bestor Cram and Pearl Bowser, 1994); Some Chance Operations (Renée Green, 1999)]
Shadows and Signals. Cine Ambigu-Apolo, Barcelona, 2000. [Films screened: Programme 1: Vida en sombras (Lorenzo Llobet Gracia, 1948) and Bajo el signo de las sombras (Ferran Alberich, 1984); programme 2: Medium Cool (Haskell Wexler, 1976) and Underground (Emile de Antonio, Mary Lampson and Haskell Wexler, 1976); programme 3: Dante no es únicamente severo (Jacinto Esteva and Joaquim Jordà, 1967) and Film About a Woman Who... (Yvonne Rainer, 1974); programme 4: Journeys from Berlin (Yvonne Rainer, 1971-1080) and De cierta manera (Sara Gómez, 1974); programme 5: Zorns Lemma (Hollis Frampton, 1970) and Nostalgia (Hollis Frampton, 1971); programme 6: Vida en sombras (Lorenzo Llobet Gracia, 1948) and Some Chance Operations (Renée Green, 1999)]
Forces of Circumstance. Kölnischer Kunstverein, Cologne, 2002. [Films screened: Berlin-Jerusalem (Amos Gitai, 1989); Who Killed Vincent Chin? (Christine Choy and Renee Tajima, 1988); La noire de... (Ousmane Sembéne, 1965); The Grapes of Wrath (John Ford, 1940); I am British But... (Gurinder Chadha, 1989); Dreaming Rivers (Martine Attile, 1988); Pressure (Horace Ovè, 1975)]
BOLSAS E PRÉMIOS
DAAD Grant, Berlin, 1993-1994, residência artística, Alemanha
Arts International Grant, Lisboa, 1992, residência artística, Portugal
The Fabric Workshop with Mid-Atlantic States Grant, 1992, E.U.A.
New Jersey State Council on the Arts, 1991-1992 and 1987-1988, E.U.A.
New York State Council on the Arts, Harlem School of the Arts, 1989-1990, residência artística, E.U.A.
Art Matters Inc., 1989-1990 and 1993, E.U.A.
The Studio Museum in Harlem, 1988-1989. Artist in Residency., E.U.A.
Geraldine Dodge Foundation (via Jersey City Museum), 1988. Grant recipient, E.U.A.
School of Alternative Media, New York University, 1987-1988. Artist in Residency, E.U.A.
Artist's Space Exhibition Grants, 1986-1987, E.U.A.
Bronx Museum of the Arts, 1985-1986, E.U.A.
COMISSÕES
Code: Survey, Permanent public work located at the Caltrans Headquarters, Los Angeles/Morphosis, Thom Mayne, 2004
American Federation of the Arts and D.A.P./Distributed Art Publishers Inc., New York, 1995-1997. Commissioned to design Artist/Author: Contemporary Artist's Books. Cornelia Lauf and Clive Philpot, eds.; book designed as artist's book by Renée Green. New York: American Federation of the Arts, 1998
Architectural League of New York. Architectures of Display, with Laura Kurgan, 1995.
Stroom. The Seventh Museum. The Hague, 1994, Holanda
Worcester Museum of Art, Worcester, E.U.A., 1991
FRAC Pays de Loire, Clisson, França, 1991
CONFERÊNCIAS, SIMPÓSIOS E LIÇÕES
2008
L'art contemporain et les savoirs hétérodoxes. Conversation with Elvan Zabunyan. Institute natiotanal d'historie de l'art, Paris, França
2007
Multitudes Workshop: Documenta 12 Magazine Project. Documenta 12, Kassel, Alemanha
The Public In Question. Akademie der bildenden Künste, Viena, Áustria
2006
Sonic.Focus. Brown University, Providence, E.U.A.
\"States of Exception,\" San Francisco Art Institute, E.U.A.
Visual Culture Caucus Panel, College Art Association, Boston, E.U.A.
\"Index from Oblivion: Public/Private Climates + Paradoxes\", Works in Progress Series, Getty Research Institute, Los Angeles, E.U.A.
Jeu de Paume, Paris, França
2005
Baltimore Museum of Art. \"Instituting Silence\", E.U.A.
J. Paul Getty Museum. \"Performance and the Re-Do\". Panel discussion in the Workshop on Performance and the Visual Arts, organized by Peggy Phelan, E.U.A.
Los Angeles County Museum of Art. \"Institutional Critique and After\", E.U.A.
University of California, Los Angeles. MFA Graduate Program, Los Angeles, E.U.A.
2004
Haus der Kulturen der Welt, Berlin, Germany
Los Angeles Contemporary Exhibition. \"Looking Ourselves in the Mouth: Conversations with Yvonne Rainer\", E.U.A.
University of California Santa Barbara, E.U.A., Afrogeeks: From Technophobia to Technophilia.
Screening: Wavelinks: A Different Reality.
University of California, Irvine. Department of Art Studio. MFA Graduate Program, Irvine, E.U.A.
2003
Columbia University, Nova Iorque, E.U.A.
Art Institute of Chicago, E.U.A.
Northwestern University, Evanston, E.U.A.
Milwaukke Art Museum and Center for 21st Century Studies, University of Milwaukee. Museums & Difference, E.U.A.
Barnsdall Art Center, Los Angeles. Art Talk Art: The Impossible Series. Respondent to Sylvère Lotringer, E.U.A.
Victoria Miro Gallery, Goldsmiths College, Londres, Reino Unido
Santa Barbara Museum of Art, E.U.A.
2002
Staatliche Hochschule für Bildende Künste, Städelschule, Frankfurt, Alemanha
Drawing Center, Nova Iorque, E.U.A.
2001
Centro Cultural de Belém, Lisboa, Portugal
2000
New York University, E.U.A.
Forum Quam 2000. Nuevos modelos de producción en el arte contemporáneo. Montesquiu, Espanha
1999
Witte de With & Netherlands Architectur Instituut, Roterdão, Holanda
Generali Foundation, Vienna and Academyof Fine Arts, Praga, República Checa
Regent's Lecturer, UCLA, Los Angeles, E.U.A.
College Art Association, Los Angeles, E.U.A.
Tate Gallery of Art, Londres, Reino Unido
Le Magasin, Centre National d'art Contemporain de Grenoble in Geneva, Genebra, Suiça
Radiotemporaire.
1998
Malmö Art Academy, Suécia
Cal Arts, Valencia, E.U.A.
University of California, San Diego, E.U.A.
Site Santa Fe, New Mexico, E.U.A.
1997
San Francisco Museum of Modern Art. Booktalk, E.U.A.
Vienna Secession, Áustria
Volksbuhne, Berlim, Alemanha
Emory University, Atlanta, E.U.A.
1996
British Council, Amerikahaus and University of Cologne, Colónia, Alemanha
Mixed Up.
1995
Palazzo delle Esposizioni di Roma, Roma, Itália
Institute of Contemporary Art, Londres, Reino Unido
New York University, E.U.A.
Yale University, New Haven, E.U.A.
Kunstwerke, Berlim, Alemanha
Royal Danish Academy, Copenhaga, Dinamarca
1994
Munich Kunstverein, Munique, Alemanha
Drawing Center, Nova Iorque, E.U.A.
Wellesley College, E.U.A.
1993
Hochschule der Kunst, Berlim, Alemanha
University Lüneburg, Lüneburg, Alemanha
University of California, Irvine, E.U.A.
Museum of Contemporary Art, Los Angeles, E.U.A.
Vienna Secession, Áustria
1992
Hochschule für angewandte Kunst, Viena, Áustria
Goldsmiths College, Londres, Reino Unido
Institute of Contemporary Art, Londres, Reino Unido
1991
Hotel des Rothchilds, Paris, França
Worcester Museum of Art, Worcester, E.U.A.
Rutgers University, New Brunswick, Canadá
Society for Photographic Research Conference, New Orleans, E.U.A.
1990
National Women's Studies Conference, Akron University, E.U.A.
Berkeley Women's History Conference, Rutgers University, E.U.A.
Museum of Modern Art, Nova Iorque, E.U.A.
ENSINO
Dean of Graduate Studies, San Francisco Art Institute, E.U.A., 2005 até a actualidade
Distinguished Artist/Professor. Art Department, University of California, Santa Barbara, E.U.A., 2002-2005
Yale University, New Haven, E.U.A.. Professor convidado, 1998
Akademie der bildenden Künste, Viena, Áustria. Professor, 1997-2002
Whitney Independent Study Program, E.U.A., directora do programa de ateliê, 1996-1997
Vermont College, E.U.A., 1995-1996
University of Lüneberg, Alemanha 1994-1997. Artista visitante, projecto com os departamentos de Ciência Computorizada, História de Arte e Sociologia
Hochschule der Kunst, Berlim, Alemanha. Freie Classe. Professor convidado, 1993-1994
Hochschule fur angewandte Kunst, Viena, Áustria. Professor convidado, 1992-1993
Whitney Museum of American Art Independent Studies Program, E.U.A.. Professor convidado, 1991 to present
Bank Street College, Nova Iorque, E.U.A., 1990-1991,
New Museum of Contemporary Art, Nova Iorque, E.U.A., 1989-1991